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As far as winemaking is concerned, Back to Burgundy is rich in vistas of the fabled côtes; stuffed with oenophile info (who knew how directly de-stemming affects a wine’s structure? It misses the point to ask, as some have recently, whether he’s still able to have fun at the age and status he has attained. He must have had great fun making this immense Tinker Toy of a movie, but there’s a fundamental mismatch between artist and material.) and studded with casual tastings of wines that most of us can only dream of. Meant to evoke such distinctive examples of the genre as “Shock Corridor,” “The Snake Pit” and, on a much grander scale, “One Flew Over the Cuckoo’s Nest.” And it’s also safe to say that whether or not you enjoy Unsane — I didn’t, for the most part — there’s a terrific scene in a padded cell.The problem is penultimateness, too much setup and too little payoff.The solution comes, presumably, around the same time next year.The most touching scene is the most conventional, an intimate moment between Simon and his mother, Emily (Jennifer Garner).Will she or won’t she accept him as the person he is? Armando Iannucci’s absurdist comedy reveals this in an extremely loose manner of speaking, with malice aforethought, straight-faced glee and formidable sharpshooting that occasionally misfires.

My only regret after seeing it at a screening was that I couldn’t stay and see it again.

It isn’t history but free-range fiction, a venomous farce containing nuggets of fact, and if its subjects bear any resemblance to present-day dictators and authoritarian mugs or thugs around the world, then the movie has hit its archetypal target.

If there’s a secret to a successful screen adaptation of A Wrinkle in Time, it’s still secret.

Simón, who has used both of her young performers to powerful effect, also wants us to know how resilient children can be. Frida, given more than half a chance after demanding it, achieves something no less remarkable. An impressive and self-impressed documentary by Jennifer Peedom, has some of the best speck shots you could imagine—not spec as in speculation, though the film offers plenty of that on the subject of why human beings choose to climb tall peaks, but speck as in the size of a human seen against a stupendous alpine landscape.

A chance to see four terrific actresses — let’s not use the gender-neutral term in this context — having varying degrees of fun with matters of sisterhood, sex and hope in a movie that touches on mortality and holds out the prospect of later-life joy.

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